AICP SHOW HONORS BEST COMMERCIALS
OF THE YEAR
NEW
YORK, JUNE 14, 2004 - Anonymous Content
and Biscuit Filmworks topped the list of
honored production companies in the Thirteenth Annual AICP
Show, The Art & Technique of the American Television
Commercial, presented by the Association of Independent
Commercial Producers, tonight. More than 1,500 members
of the advertising and production industry gathered to view
the Show, an hour and 16-minute compendium of the best commercials
of the previous year, which premiered at The Metropolitan
Museum of Art, and now goes on tour to museums and cultural
institutions around the country and abroad. In addition, the
commercials in the Show become part of the permanent collection
of the Department of Film and Media of another museum, The
Museum of Modern Art, which has been AICP’s partner
since the Show’s inception more than a decade ago.
With a total of eight honors each, Anonymous Content
and Biscuit Filmworks led production companies
with the most honors. Anonymous was honored in five categories,
including two honors each in Production for Nike’s
“Speed Chain” and HP’s “FTD”;
Production Design for HP’s “FTD”
and Xelibri’s “Beauty for Sale”; and Visual
Effects for Nike Gridiron’s “Gamebreakers”
and Xelibri’s “Beauty for Sale.” Nike
Gridiron’s “Gamebreakers” earned additional
honors in Animation and Sound Design.
Biscuit Filmworks earned eight honors in
seven different categories, including Advertising Excellence/Single
Commercial, Visual Style, and Cinematography
for a spot called “Birthday” for the California
Milk Processor Board’s Got Milk campaign. Other Biscuit
honors were for advertisers Morgan Stanley, the American Legacy
Foundation, HBO, and Volkswagen.
Production company Digital Domain, Inc. was
awarded six honors and @radical.media was
awarded five honors.
Among agency honorees, Wieden + Kennedy was
a stand-out with ten honors, eight of them for Nike commercials.
The agency was honored in seven categories, including three
honors for Nike Gridiron’s “Gamebreakers”
in Visual Effects, Animation, and Sound
Design. Wieden + Kennedy Nike spots also earned
honors in Production, Graphics, and Editorial
categories. Two additional honors were earned by Wieden
+ Kennedy for Advertising Excellence/International
for Honda (“Cog” and “Taken for Granted”).
Goodby, Silverstein & Partners was second
among agency honorees with eight honors. Leo
Burnett followed with five honors.
Noam Murro led the director honorees with
a total of seven honors in seven different categories, including
three honors for the California Milk Processor Board’s
Got Milk “Birthday” spot and two honors for Morgan
Stanley’s “Kevin.” David Fincher
received six honors in five categories, including three for
Nike Gridiron’s “Gamebreakers.” Baker
Smith earned four honors, including two for the American
Legacy Foundation’s Truth “1200.”
Sara Marandi and Motion Theory
each earned three honors.
Among advertisers, Nike scored highest with
eight honors; Hewlett Packard had five honors;
Honda, American Legacy Foundation’s
“Truth” Campaign, and California Milk
Processor Board’s “Got Milk” Campaign
each had three honors. Apparel commercials were the most honored
product category with 10, followed by Automotive spots, which
earned 8 honors.
The Show reel features custom-designed graphics by Click
3x and original music composed by Michael Montes
of Sacred Noise.
Selections of the honored commercials were made by 400 judges
across the country, including a blue-ribbon curatorial panel
composed of distinguished members of the industry from advertising
agencies, production companies and editorial shops.
Honors went to up to three commercials in each of 24 categories.
From New York, the Show goes on tour across the United States
and abroad. Screenings scheduled in the U.S. include
June 28th at the Theatre de la Juene Lune in Minneapolis;
September 9th at the High Museum in Atlanta; September 8th
at the Los Angeles County Museum of Art (LACMA); October 13th
at the Dallas Museum of Art; and November 19th at the Chicago
Historical Society. Dates for showings in Honolulu,
New Orleans, Winston-Salem and San Francisco are to be announced.
The 2004 AICP Show & Director Lecture Series would not
have been possible without the generous contributions of its
sponsors. Show sponsors are: Corporate Leaders-Directors
Guild of America; Eastman Kodak Company, Entertainment Imaging;
and Getty Images. Corporate Benefactors-AdAge’s
Creativity; American Airlines; Aspen Travel; Beam TV;
Blink Digital; ’boards; Click 3x; Company 3;
International Duplication Centre; Media Services; Producer’s
Source; Sacred Noise; SAG/AFTRA; SHOOT; Sony Pictures Studios;
The Source Maythenyi; Technicolor Entertainment Services;
and Universal Studios. Corporate Patrons- The Ad
Age Group; AGT Seven; Amber Music; Fast Channel Network; Film
US; Frankfurt Kurnit Klein & Selz; Hello World Communications;
Panavision; rhinofx; and shots.
Further information is available at 212-929-3000.
Founded in 1972, the AICP represents companies that specialize
in producing commercials for advertisers and agencies.
The association, with national offices in New York and Los
Angeles and regional chapters across the nation, serves as
the voice for this $5-plus billion industry, representing
the creators of over 80% of all nationally televised commercials.